German visitor and Israeli tour guide meet the Dead sea
I'd say that Eyton Fox has now redeemed himself in the eyes of anyone who might have thought his last film, "Yossi and Jagger," operated in too much of a bell jar. The story of a love affair between two young Israeli officers in a remote army base on the Israeli-Lebanese border, "Y&J" does not really address the elephant in the barracks - the moral questions of occupation and violence.
The American-born Israeli fimmaker's third film, "Walk On Water," which premiered last night at New York's NEW FEST, is a much more mature film than the very well-received feature shown by the director last year, and it covers far more ethical ground without stretching the moralizing. The film's most profound voiced statement is brief. It's delivery is given to an Israeli Arab and it's directed at a Jewish Israeli who represents absolute power in their shared world. The young Arab, his family and his nation have just been deeply insulted in front of two visiting young Germans. His reply, painfully gentle under the circumstances, is directed into an open car window. It was something close to this: Maybe if you people could get over what happened to you a long time ago, you'd be able to see what you yourselves are doing now.
It's a wonderful, nuanced film. It's about all kinds of people doing both very bad and very good things, representing the relationships between one generation of Palestinians, two generations of Jewish Israelis and three generations of Germans. No one gets off easily.
Now what some of you will appreciate knowing before you decide to go: The actor playing the lead Israeli character, Lior Ashkenazi, is one of the most beautiful men ever touched by a camera.
[image from the film's website]